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Its chord progression, known as the “rhythm changes”, is the foundation for many other popular jazz tunes such as Charlie Parker’s and Dizzy Gillespie’s bebop standard “Anthropology Thrivin’ on a Riff “. According to Isaac Goldberg, Gershwin’s first biographer, I Got Rhythm originated as a slow number in the Gershwins’ flop, Treasure Girl, which closed on Broadway after 68 performances. And, as was the case with Embraceable You, it was to have been included in Florenz Ziegfeld’s East Is West, for which the Gershwins compiled a considerable score and which never made it to the boards. In the upshot, both numbers found adefinitive place in the Aarons and Freedley production, Girl Crazy, which opened at the Alvin Theater on October 14, , for a run of performances. Embraceable You was taken, with stage veteran Allen Kearns, by the year-old Ginger Rogers, while I Got Rhythm — in its familiar jauntily upbeat version — featured year-old Ethel Merman making her Broadway debut. Merman was Vinton Freedley’s find. Having heard her singing between movies at the Brooklyn Paramount Theater, he immediately engaged her. She auditioned soon after for the Gershwins in Sam and Delilah and I Got Rhythm, and George, always obliging, offered to make changes to suit her. Ira Gershwin recalled “her assurance, timing and delivery both as comedienne and singer — with a no-nonsense voice that could reach not only the standees but the ticket takers in the lobby.

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A pair of acro shoes. A foot thong, as viewed from the bottom. Acro dances are typically performed on hard stages with widely varying surfaces.

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The Riverside catalog of jazz is a rich heritage: The quality of label-pictures on the internet ranges from bad to worse, with the occasional gem, so not every release is covered, but particular attention is paid to labelography at changeover points. The variation in the shade of blue is of no significance: Riverside are mostly the same colour blue in real life, just not in photographs.

Print-runs of covers may or may not have matched pressing runs of vinyl so they may not match exactly, for other reasons. The West address later was set in one long horizontal line 1. LJC reader Diego had the good fortune to acquire this lovely example recently, and was kind enough to share it.

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Upstarts holding drumsticks and saxophone cases lined up on the stairs to rotate in. In the back, European and American musicians kissed hello and slapped backs, the jam their unofficial rendezvous. In dim blue-black light, the audience was packed into banquettes and cafe tables, chatting throughout and applauding each solo. Outside, the streets of Chatelet were quiet and bistros locked up, but Le Duc des Lombards kept humming until 4 a.

Official page of the contemporary jazz pianist. Discography, tour dates, biography, pictures, video clips.

As its popularity increased, professional troupes were formed. The earliest form of the dance often called “Pure Balboa” evolved in the mostly conservative dance halls of southern California where space was limited and strict codes of conduct were enforced. These dance halls usually prohibited the wild kicks of the Charleston and Lindy Hop. Pure Balboa is characterized by an upright posture with partners standing chest to chest. There are no spins or turns and the dancers remain in contact through the upper chest at all times.

Not leaving much scope for variations, pure Balboa is an intrinsically very simple dance. The few step variations generally play with the rhythm or look and feel style from below the knee downwards and deal with changes in direction. While most dancers differentiate between pure Balboa and Bal Swing , both are considered to be a part of the dance.

Bal Swing evolved from Balboa when original Balboa dancers experimented with fancier variations of the dance which forced the chest to chest connection to be broken. In this form of Bal a variety of spins, turns, dips, tricks, and even air steps are introduced. These improvisations are permissible provided the overall style and framework remain true in spirit to the original dance and are combined with original Balboa footwork.

It is believed that the dance originated in the Carolinas in the s, [2] [13] later spreading across the United States during the s.

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As its popularity increased, professional troupes were formed. The earliest form of the dance often called “Pure Balboa” evolved in the mostly conservative dance halls of southern California where space was limited and strict codes of conduct were enforced. These dance halls usually prohibited the wild kicks of the Charleston and Lindy Hop. Pure Balboa is characterized by an upright posture with partners standing chest to chest.

There are no spins or turns and the dancers remain in contact through the upper chest at all times. Not leaving much scope for variations, pure Balboa is an intrinsically very simple dance. The few step variations generally play with the rhythm or look and feel style from below the knee downwards and deal with changes in direction. While most dancers differentiate between pure Balboa and Bal Swing , both are considered to be a part of the dance.

Bal Swing evolved from Balboa when original Balboa dancers experimented with fancier variations of the dance which forced the chest to chest connection to be broken. In this form of Bal a variety of spins, turns, dips, tricks, and even air steps are introduced. These improvisations are permissible provided the overall style and framework remain true in spirit to the original dance and are combined with original Balboa footwork.

It is believed that the dance originated in the Carolinas in the s, [2] [13] later spreading across the United States during the s.

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The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums. After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name.

Therefore Fender was forced to drop the name Broadcaster.

Listen to the best selection of smooth jazz radio on the Internet. We have over a dozen channels of free smooth jazz, all with unlimited skips! Half Smooth Jazz, half smooth holiday tracks, all good! Top Smooth Jazz of The finest Smooth Jazz of the past year. Surprise Me.

Nat “King” Cole is one of the most famous jazz singers of all time. His daughter, the multi-talented Natalie Cole, continues her father’s jazz legacy today. Frank Sinatra took everything he learned from great jazz singers like Bing Crosby and Billie Holliday and then made it all wildly popular in the s and ’50s.

He continues to make albums today and, following in the footsteps of Frank Sinatra, Harry Connick Jr. While many contemporary audiences remember Bing Crosby best for his work on the Christmas song and holiday movie “White Christmas,” Bing Crosby was the biggest name in music for the first half of the twentieth century. The radio star was one of the few to successfully transition to life on the big screen with the advent of movies and television in the ’30s, ’40s, and ’50s.

Ray Charles is perhaps best known for being a soul music pioneer, but the singer and pianist has also recorded plenty of straight jazz, too. Charles took jazz influence from artists like Count Basie, Louis Armstrong, and Nat King Cole and turned it into an entirely new genre:

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July , Where: Entering our 28th year of Cruising with an African-American Twist, we’ve set the bar high. On Festival at Sea we bring top-name entertainment to perform for you in our venues. The days are filled with dozens of activities, shows and classes that will keep you moving throughout the week.

This was one of the first soul music songs to deal explicitly with systemic racism, and to use everyday sounds of the street like traffic, voices and sirens, which were combined with the .

Lyrical dancing is a relatively recent form of dance coming from a fusion of jazz dance and ballet. Aside from having a beautiful and expressive choreographic vocabulary, it’s also one of the most pleasurable forms to dance. The Development of Lyrical Dancing Unlike other forms, it is somewhat difficult to pinpoint the origins of lyrical dancing.

The performative mode came out of the entertainment world, where dancers in popular music and also stage performances such as Cirque du Soleil began integrating their jazz dance vocabulary with the classical training of ballet. Emotional Movement Lyrical dancing is most known – and sometimes reviled – for conveying emotion and following very closely the mood of the musical accompaniment.

For many modern and post-modern dancers and choreographers this is a shortcoming, since the dance is considered to be adequate by itself, without needing the support of emotional expression or musical accompaniment.

Ro James- Permission (Instrumental Remake)[Lyrics in Description]